Developer hacker training simulator, EXAPUNKS, has exited Steam’sEarly Access program for games that aren’t ready for the spotlight yet.
Typical development courses are about learning “big data” and rust and other modern baloney, Zachtronics’ EXAPUNKS is about pulling off hacking heists to earn a cure for the phage that you were accidentally infected with. Oops!
In the early access process much has changed, Zachtronics added an animated gif recorder to save short clips of your solutions to EXAPUNKS’ programmular puzzles. They’ve also added a bonus 9-level campaign, and released a free TEC Redshift player program on Steam that lets you experience community-made homebrew games on the in-game fantasy console without owning the full EXAPUNKS game. Interestingly enough, the homebrew games are embedded in image files distributed online. It’s not quite clear how to get them, so I’ll explain here that you download the image to your computer and then drag and drop the image file into the TEC Redshift Player. Here’s an example image I found online that plays the original GameboyTetris music in the TEC Redshift Player.
Every time I write about EXAPUNKS, or any other Zachtronics game, I want to mention that I think they’re something special, they each inhabit a little world of their own perfectly and I love that about them even if I’m not always up to their challenge.
EXAPUNKS is $20 on Steam or through the Humble store for Windows, macOS, and Linux. There’s a temporary sale, bringing the game down to $16. The feelies that were available for pre-orders may be available directly from the developer, otherwise you’ll probably get a PDF or something with the game to read Trash World News, the in-universe zine.
It’s the most wonderful time of the year for everyone who was raised on a diet of murder simulators, Call of Duty: Black Ops 4 is out, and it’s good, with some caveats.
This year’s Treyarch-designed Call of Duty is something like three years of work now that there are three studios working on their own individual series within the Call of Duty brand.
As usual, I’ll note here that I have good friends at this Activision studio but I try to not let that influence my opinions about any of their games.
Black Ops 4 is split into three subsidiary modes: competitive multiplayer, blackout (battle royale mode), and zombies. There is no single-player campaign, which I am pretty disappointed by, but there are a set of tutorial matches with vignettes that tell the tales of Black Ops’ different playable characters.
The playable characters – with different abilities in the regular competitive multiplayer mode – took some getting used to. I never cared for defined “hero characters” in games that didn’t traditionally have them. WarCraft 3 being the example that first sticks to mind. Nevertheless, I enjoy them in Black Ops 4
BLOPS 4’s UI is somewhat broken and poorly designed. Look at this icon, what does it mean to you:
If you said “settings” or “options” you’re wrong, just like I was. It is the “custom game” icon. If you click that icon while you’re in a party the UI changes from this:
Which are quite similar except for the disappearing “settings” button and the addition of some text that says “custom games.”
If you don’t notice either of those changes, and you hit “play” you’re plunged into a match that you’re hosting without any human players. If you’re as dumb as I was, you’ll sit there for a few minutes wondering when they’ll join.
Still, despite all the quirks to the UI, Black Ops 4 is an undeniably fun multiplayer-only romp through murder town. The competitive multiplayer modes are fine, there’s one like Counter-Strike this year, it’s called Heist. You can still just play team deathmatch if you want. This year you can only heal when you press a button instead of by hiding and waiting for the jelly to disappear from the screen’s edges.
Blackout is the new Battle Royale-like and it’s fun, it feels a little bit incomplete but miles ahead of the competition in terms of how the game feels to play. With PlayerUnknown’s Battlegrounds I’m always struggling to do the most basic tasks. Clambering over or onto an object in Blackout works 9 times out of 10 instead of PUBG’s 4 or 5 times out of 10. Blackout also has it’s own spin on almost everything. There are packs that provide you with perks, and you can’t examine items that are on the ground to see their stats. I’m guessing they want us to learn what they look like.
The downside to Blackout is that there’s only one map, for now, and it isn’t clear where this mode is going to go. It can’t compete with Fortnite, per se, because it isn’t free-to-play, or at least not yet. Does that mean there will be a Blackout mode in next year’s Call of Duty? Will Treyarch continue to work on this one, including adding more content? That isn’t clear to me.
Finally, there’s still a Zombies mode if you enjoy co-operative zombie hunting with ridiculous dialog between Zombies-specific characters the studio designed. I want to enjoy this mode, I almost never do. There are a lot of hidden things about it, and I’ve never learned about them.
For me, the best single-player Call of Duty campaign was Infinite Warfare in 2016, and I also miss playing that game’s multiplayer. I enjoyed all of the sci-fi movement trappings that this game has eschewed by placing the timeline in-between Black Ops 2 and 3, which seems like the weirdest decision of all given that this game has no single-player campaign and a bunch of cutscenes instead. Also, the number is 4 which is higher than 3. I’m not sure Treyarch understands how the numbers work. Maybe they need to call Mason.
This is the first year that Activision has gone all-in on Blizzard’s Battle.net launcher and Black Ops 4 is only available there for Windows players alongside Destiny 2 (Destiny 1 was never available on Windows). As disappointed as I am with Valve, lately, there isn’t any good reason for this from a player’s perspective. We get Battle.net’s social features and rich presence notifications but that is about it. I’m curious where 2019’s Call of Duty will end up, but it is extremely unlikely it’ll be on Steam. Activision definitely doesn’t want to give up any cut to Valve. The negative feedback in the reviews for WW2,Infinite Warfare, and Advanced Warfare on Steam probably didn’t help things, either.
Unfortunately, this year Activision has again chosen to split their players up with an add-on pass that isn’t included with the “standard” $60 version of Black Ops 4. They’re also adding in some kind of in-game microtransactions.
I’m not going to fully review Black Ops 4, there are good reviews elsewhere. Notably, IGN split their review into four pieces, one for each mode and an overall score. It’s a game that I’m surprised to find my friends who abandoned Call of Duty years ago talking about and playing, and I love it.
Despite all of the odd decisions and bad UI, I love playing Black Ops 4. It’s the definitive way to play Treyarch’s version of multiplayer Call of Duty, and I have fun with their take on the Battle Royale genre. If you miss dumb, exciting, and fun multiplayer shooters, this is that. If you loved any campaign from previous Call of Duty games and you like to skip multiplayer because you didn’t want to be schooled by 12-year-olds, this isn’t for you. I’m losing to them every night, and that’s OK. I can still get to the top of the leaderboards sometimes.
Lucas Pope of various independent adventures and most notably Papers, Please has been working on Return of the Obra Dinn for at least four years. The Obra Dinn is a ship, a good ship, that was lost at sea in 1803. Here, now, in 1807 it “drifted into port” and you’re an insurance investigator sent to assess the damage and find out how each member of the crew fared.
If you followed development of the ship’s return you might have seen the prototypical demonstration versions Pope released, one is still available on itch. Obra Dinn has what was an original mechanic the first time I played it, and is now a bit like what players found in last year’s Tacoma — scenes of a crew interacting that aren’t with the ship (or station, in Tacoma’s case) anymore.
That’s confusing if you haven’t played either, in Tacoma it was like watching a holographic replay of the crew’s life. Of course, in 1807 the fictional setup for how you can view those replayed scenes is different from a space station in the future, but I fell in love with the prototype’s beautifully stippled 1-bit graphics and the brutal still scenes of the Obra Dinn’s crew paired with just enough voice acting. If they were TV shows I’d say that Tacoma was a great “SyFy” original and what I’ve played of Obra Dinn is a Netflix Marvel series minus the 3-5 extra episodes of cruft.
The trailer above demonstrates many changes to just about everything from the prototype, so there are still plenty of unknowns here. I’d recommend sticking with the trailer and skipping the old GDC demo, to avoid spoiling too much.
Return of the Obra Dinn will be $20 on Windows and macOS on October 18th, which is very soon now, via Steam, Humble, and gog.
When you change your online ID, you will have the option to display your previous ID with your new ID, so your friends can recognize you. Once you decide to display your old ID or not, you won’t be able to adjust this after completing the online ID change process.
The name-changing feature will be in a temporary “preview program” in November for people who have registered to test pre-release versions of the PlayStation 4 system software, and it may break some recent games:
This feature is compatible with PS4 games originally published after April 1, 2018, and a large majority of the most-played PS4 games that were released before this date. However, please note not all games and applications for PS4, PS3 and PS Vita systems are guaranteed to support the online ID change, and users may occasionally encounter issues or errors in certain games. If for any reason you experience issues after changing your ID, you can revert back to your original ID for free at any time (you will only be able to revert once during the preview program). Reverting back to an old ID will resolve most issues caused by the ID change. In addition, when this feature officially launches, a list of compatible games published before April 1, 2018, will be provided on PlayStation.com for reference before you make a change.
It sounds like some games may just be broken for anyone who wants to play them after changing their name. I hope that Sony has a better workaround than “pay us to change back so you can play old games” before the name-changing feature ships to everyone early next year.
Microsoft is finalizing a deal to acquire the independent development studio Obsidian Entertainment, according to three people briefed on the negotiations. We don’t know if ink is on paper yet, and plenty of major acquisition deals have fallen apart in the final hours, but those close to the companies believe it is all but done.
Obsidian’s RPGs could work very well over a streaming service.
Today, the games you play are very much dictated by the device you are using. Project xCloud’s state-of-the-art global game-streaming technology will offer you the freedom to play on the device you want without being locked to a particular device, empowering YOU, the gamers, to be at the center of your gaming experience.
I hate that we don’t own games today. What we “buy” to download from services like Steam, PSN, Nintendo’s eShop, or Microsoft’s store that doesn’t have a sassy marketing name, is so ephemeral.
Subscription services like PlayStation Now, Plus, and GamePass take that to another level. The second you stop paying them, every game you were enjoying with your friends, and experiencing alone or with somebody on the couch is gone.
It’s the same for Netflix, and Apple Music, and all of the other video and music streaming services.
We own nothing with these services and platforms, nothing lasts, if we can’t pay and keep paying for multiple services we don’t get to continue to enjoy creative works and participate in culture.
I can understand how it could be exciting to work on the technology behind these services, and it will enable some people to access things that they would never be able to, but the real goal is obvious and I’m not excited for it.
Microsoft, Sony, EA, everybody who already has a platform and an audience are all rushing to be the platform that gets your $10 or $15 or $20 a month and hooks you for as long as you can pay. They want to convert us from people who buy a box and a few games a year to people who are just paying them all the time for access to whatever games will work with the latency their service has.
How many services are you subscribed to? I can think of so many that my family uses: Netflix; Hulu; Apple Music;PlayStation Plus; 1Password; iCloud storage.
Subscription services, and game streaming subscriptions in particular, are the opposite of the “empowerment” Chowdry is talking about. I don’t doubt that Microsoft will come up with a more compelling pitch when there are new games that can only work on their streaming service.
I have only barely dipped my toe into Forza Horizon 4, but it’s already a fun and goofy open-world driving game just like the last few, with the notable addition of changeable seasons affecting the greater British landscape this entry takes place in.
The Horizon offshoot of the Forza series have always been odd games. I don’t really enjoy the racing aspect because I’m terrible at it. Maybe it’s because even the simulated experience differs so much from the regular-ass driving I do in reality, I don’t know. Despite that, I just turn the game down into easy mode and love blasting through town and country hunting for bonus boards to knock down, hidden barn finds, and the absolute thrill that is the missions the game puts you on. The missions have specific goals that sometimes, and the most fun times, turn the game into an almost Tony Hawk Pro Skater-like experience and attempt to get a high score in flipping your car over five hundred times. It’s the only game I’ve ever played where I can spend an hour flying around a construction site and not make any progress but still have had great fun.
The cars are all well rendered and beautiful, I play on my desktop computer or streamed to the TV for big screen car drivin’.
Horizon 4 also includes real-time multiplayer in addition to the Drivatar ghost cars that populate your game and races with your Xbox friends in addition to randos.
It also still has the silly customizable skins you can download or create that can turn your ride into An Anime car or apply a livery full of advertising from your favorite race-mobile as-seen-on-TV.
Perhaps the most ridiculous new thing in Horizon 4 is the addition of unlockable dances for your avatar that appear before a race, after a race, and most ridiculously, whenever you find a vista in the game and you’re offered the chance to stand on or about it and dance.
The one change that is a little concerning is that I understand you can’t just download a new tuning for your car on the fly. That little bit in Horizon 3 let you turn a mediocre cheap ride into something approaching a supercar just before a race.
The game even turns our weather into something beautiful. As the seasons change, so does the climate and the nature of the light, along with the driving conditions. Edinburgh’s New Town shimmers in pale spring sunshine, and in winter the snow in the Highlands sucks all the light out of the sky. The cottages in Ambleside are prettiest in the summer, when the trees are so bracingly green you can almost smell them. If you have a 4K television, this is what it was made for. Now and then, such as the first time I drove past Edinburgh Castle in the perfect twilit blue of a summer night in Scotland, its beauty made me quite emotional.
The Forza series meaningful to me for a different reason, the first Forza Motorsport was the last game I tested at Microsoft Game Studios before quitting that job, and I’ve never returned to play the Motorsport line. I’m just not cut out for more serious racers. Horizon’s got what I want in something slightly more earnest than Burnout.
Forza Horizon 4 is out now on the Xbox One and Windows. I recommend getting it digitally downloaded if you can so that you can play on either platform.
I am still extremely concerned for where Linux gaming is going with Valve-controlled pretendulation as the default mode for new and old games, instead of native ports. It isn’t something many people playing those games will care about, if the pretendulation is good enough for them.
Katamari Damacy is almost unplayable today. You can’t buy it online through any platforms or services.
The 2004 PlayStation 2 original game is out-of-print. The Xbox 360 sequel isn’t backwards compatible on the Xbox One. No Katamari has ever been available forWindows or any other desktop computing platform.
Mobile versions of the real Katamari existed on the iPhone, but aren’t available anymore. The only Katamari games that you can download on an iPhone today are free-to-play explorations of other game formulas like the modern clicker game or the endless runner. Those seem to exist solely to siphon off our shared nostalgia.
Katamari Damacy is just a great example of the difficulty in preserving original games in their original format. Hooking up a PlayStation 2, 3, or Xbox 360 is the only way to experience it today without walking in the harsh desert of emulator country and I haven’t even begun to explain why anyone who hasn’t played some version of Katamari would care about it.
It’s a game where you roll a big-ass ball around, it’s extremely weird, the ball collects things in a fictional version of our world and the things all have a kind of low-poly aesthetic. The ball is called a Katamari and it is being pushed by the Prince of the Cosmos under orders from his father, the King of the Cosmos. As you collect things the ball grows larger and larger until it’s finally going to roll up entire continents and at some point the level ends and the King is either satisfied with your work as the Prince or you can repeat the level. Some levels had annoying goals, it wasn’t perfect, but Katamari Damacy is missed by everyone who loved it. I still listen to some of the soundtrack with my family because it’s fun music that is approachable even to people who haven’t played a Katamari game.
I’m eternally grateful to whatever print magazine or 1UP.com show that told me about the original, because I wasn’t hooked into anywhere else that was talking about it when it was released in 2004.
All that said, this remaster of the original Katamari Damacy will finally be available on December 7th, 2018. Katamari Damacy ReRoll (it’s strangely an all-caps REROLL in the press release) on the Nintendo Switch as well as Steam for Windows. I don’t have a firm price available yet. ReRoll will also have new motion controls on the Switch. Very curious to see how well this game caps off our year of remasters and remakes as Katamari takes one more roll through the ephemerality pipeline.