bandai namco – Nuclear Monster

We Love Katamari ReRoll + Royal Reverie Out Now on Consoles + Windows

I’ll never forget the first time I went to buy Katamari Damacy, a friend that was at the store with me had no interest and wondered why I was wasting money on this weird looking but value-priced game (Katamari launched at either $20 or $30 US nearly 20 years ago) that wasn’t anything like the other games I was playing at the time. But I knew better, I’d heard from some sources at the old 1UP.com that Katamari Damacy was one to look out for.

It wasn’t long before everyone was hooked on the roll-em-up and here we have Katamari Damacy’s sequel, We Love Katamari, redone and with a new coat of paint. Although there are many other sequels and I would love to see those re-released as well, they were mainly releases to get onto new platforms after the original games were exclusive to the PlayStation 2. We Love Katamari is the only sequel that Katamari Damacy’s original creator, Keita Takahashi, worked on and some people believe that We Love Katamari is the better game, overall.

Unfortunately the first two Katamari games were completely unavailable until 2018 when the first Katamari Damacy got the ReRoll treatment.

Here, now, a wild 5 years later, we get the sequel on the Nintendo Switch, Playstations 4 & 5, Xboxen Series and One, and Steam for Windows. It’s $30.

You would have to have a heart of coal to pass up either your first or another chance to enjoy We Love Katamari.

Steven T. Wright on Elden Ring as an “enigmatic, beguiling world worthy of exploration”

Elden Ring is the latest in From Software’s genre of ostensibly enjoyable challenge sims, reviews went up for it today. Here’s Steven T. Wright reviewing Elden Ring for Input:

By modern gaming standards, Elden Ring gives you hardly any direction, especially past its first major dungeon, Stormveil Castle. The most guidance the game gives you for core progression is in the form of vague compass headings like “east of [X landmark]” or “the northwest part” of a continent you haven’t even discovered yet. Even finding the map fragments needed to piece together a basic layout of the world’s topography and scale can be difficult, especially for the more remote regions. While you eventually unlock a hub of NPCs who give you useful (and some less-than-useful) hints as to how to proceed, it’s ultimately up to you to put it together.

Wright finished the review by calling Elden Ring an “enigmatic, beguiling world worthy of exploration” and afterwards pushed back on the general narrative going around from other reviewers that this is somehow a more approachable Souls-like, but even though I’ve struggled with these games in the past I’m still looking forward to trying Elden Ring when I can. It’s wonderful that From is putting out bespoke unexplained single-player games, that aren’t zeitgeist-chasing daily grinds, on this scale, and has found an audience for them.

Frustratingly, reviewers were supposedly only given about a week to go through Elden Ring’s 80+ hours of gameplay. A week is enough time to understand a game, but it is painful to think of people being forced to rush through what should be a slow burn, and the discussion around it suffering as well.

Elden Ring is $60 on the PlayStation 4, PlayStation 5, Xbox One, Xbox Series X/S, and Steam for Windows. It comes out on Friday, the 25th of February.