video games

Steven T. Wright on Elden Ring as an “enigmatic, beguiling world worthy of exploration”

Elden Ring is the latest in From Software’s genre of ostensibly enjoyable challenge sims, reviews went up for it today. Here’s Steven T. Wright reviewing Elden Ring for Input:

By modern gaming standards, Elden Ring gives you hardly any direction, especially past its first major dungeon, Stormveil Castle. The most guidance the game gives you for core progression is in the form of vague compass headings like “east of [X landmark]” or “the northwest part” of a continent you haven’t even discovered yet. Even finding the map fragments needed to piece together a basic layout of the world’s topography and scale can be difficult, especially for the more remote regions. While you eventually unlock a hub of NPCs who give you useful (and some less-than-useful) hints as to how to proceed, it’s ultimately up to you to put it together.

Wright finished the review by calling Elden Ring an “enigmatic, beguiling world worthy of exploration” and afterwards pushed back on the general narrative going around from other reviewers that this is somehow a more approachable Souls-like, but even though I’ve struggled with these games in the past I’m still looking forward to trying Elden Ring when I can. It’s wonderful that From is putting out bespoke unexplained single-player games, that aren’t zeitgeist-chasing daily grinds, on this scale, and has found an audience for them.

Frustratingly, reviewers were supposedly only given about a week to go through Elden Ring’s 80+ hours of gameplay. A week is enough time to understand a game, but it is painful to think of people being forced to rush through what should be a slow burn, and the discussion around it suffering as well.

Elden Ring is $60 on the PlayStation 4, PlayStation 5, Xbox One, Xbox Series X/S, and Steam for Windows. It comes out on Friday, the 25th of February.


Remembering the ‘Aqua Teen’ bomb scare that shut down Boston

The original version of this website had the Mooninites borrowed prominently in the logo, so I have to link to Ilana Gordon writing for Input about the Aqua Teen Hunger Force bomb scare that took over Boston 15 years ago:

The devices that temporarily paralyzed Boston were black panels measuring around 14 inches tall by 11 inches wide. There were two versions: one was hot pink and blue, the other bright green and blue. Both featured 47 LED bulbs depicting cartoon figures with raised middle fingers: They were Aqua Teen characters named Err and Ignignokt, extraterrestrials known as Mooninites. Each device featured a full metal circuit board; with batteries, the whole thing weighed around two and a half pounds.

Aqua Teen Hunger Force was amazing. Hats off to the Bostonities who were so concerned they called the police over a light-up Mooninite, the even stupidier response that blew these art pieces up, and the backwards hell this created for the poor artists who put these marketing pieces up. Sadly there is nothing in the article about the artists being compensated by Turner for getting them in trouble.