If I told you that there was a TV show coming out, and it was based on a podcast, you might suspect it to be awful. You would be wrong, the McElroy’s first episode of their new TV show is very funny. It’s supposed to be an advice show. Nobody should follow their advice.
When last I left you, 8 years ago, Dear Data, we were up to episode 24 of these disturbingly NSFW edits of Star Trek: The Next Generation by Gazorra. Please don’t view this at work or in front of people, or other animals. Episodes 1-15 are here. Though Episode 1 seems to have been lost in a transporter accident, or more likely, YouTube’s copyright robot.
Continue reading “David Lynch’s Disturbingly NSFW ST:TNG Remix Part 3”
The first trailer for Blade Runner 2049 looks pretty good. Here’s the official description:
Thirty years after the events of the first film, a new blade runner, LAPD Officer K (Ryan Gosling), unearths a long-buried secret that has the potential to plunge what’s left of society into chaos. K’s discovery leads him on a quest to find Rick Deckard (Harrison Ford), a former LAPD blade runner who has been missing for 30 years.
Did you watch The Katering Show’s first season when I linked to it, and then were too lazy to pirate season 2 when you found out that it was only on services that were either for pay or for Australians? Good news, the second “seasoning” of this “cooking” show is finally on YouTube.
I don’t usually post about stuff from comic conventions, but since everyone loves Rick & Morty I’ll make an exception for this one. At the San Diego Comic-Con this year the show’s voice of both Rick & Morty, Justin Roiland, showed a video during their panel of the show’s titular characters reading an actual court transcript from Georgia.
Previously it was only available via a shaky-cam video from the convention by an attendee, but now Adult Swim have posted the footage directly. The language is extremely vulgar and hilarious, so you’ve been warned.
Somehow I’ve never posted about The Katering Show, a comedy cooking show featuring a “…food intolerant and an intolerable foodie.” Lets remedy that and you can watch the entirety of their first season on YouTube.
The show is amazingly funny if you enjoy British or colonial-british humor.
Unless you’re in Australia and have access to iView, which I assume is a koala bear reenacting a show for you, season 2 of The Katering Show is only available in the US through a new (pay, with a free trial available) service called Fullscreen.
Todd Van Luling has an article for the Huffington Post about the sad garbage people who got too caught up in Sega’s marketing to recognize that Sonic gameplay was awful and their sad hunt for finding the hidden connection in Sonic 3’s soundtrack to Michael Jackson.
Spoiler, Jackson didn’t even want to be associated with the crap Genesis sound processing:
Jackson and the team wrote the music “high-profile,” Grigsby said, meaning that although replicating the music on the Sega console would eventually require massive compression and simplification of the audio, they started out sounding like typical Jackson songs.
Sometimes, Grigsby remembers, Sega developers would drop by to hang out or help the team compress the songs — which, according to Grigsby, were recorded aiming for a “cinematic type of sound” Jackson sought at the time — into Sega-ready versions. “It all had to be squashed down for the game and they made more room for the graphics,” Grigsby says. “They had more data happening with the graphics and they had very little allocated for audio.”
Buxer, Grigsby and Jones say Jackson pulled his name from the game – but not his music – because he was disappointed by how different the music sounded on Sega’s console when compressed from that “high profile” sound to bleeps and bloops.
“Michael wanted his name taken off the credits if they couldn’t get it to sound better,” Buxer claimed.
Even the sad garbage people now recognize that the gameplay was terrible:
“Someone would track down someone who originally worked on Sonic 2, like a level artist,” said James Hansen, a Sonic fan from the Forest of Dean, near Gloucester. “Then they’d just get bombarded with a million emails and then you’d never hear from them ever again.”
As a teenager, Hansen was more interested in the “secrets in the Sonic games” than the games themselves, he says now.
The short version is: if you are any kind of open-source leader or senior figure who is male, do not be alone with any female, ever, at a technical conference. Try to avoid even being alone, ever, because there is a chance that a “women in tech” advocacy group is going to try to collect your scalp.
ESR’s blog post goes on to back up this conclusion with IRC logs from one anonymized source that nasty women are all around trying to destroy him and other self-aggrandizing free software/open source shitlords through false claims of sexual assault. The comment thread on the post is an amazing cavalcade of other mens rights assholes who followed through links from terrible websites such as Phoronix and Breitbart. Surprisingly, the comment thread is a little bit better on the Phoronix post where people call out Michael Larabel on linking to ESR’s garbage as if it were fact.
ESR calls this an attempt by women to “… smear and de-legitimize the Linux community (and, by extension, the entire open-source community) in order to render it politically pliable.” ESR is the one who has smeared the Linux community. He has threatened harm to other developers, by all accounts is a terrible developer, and a racist who takes credit for coining the term open source when it was actually invented by Christine Peterson.
Archive.org has a special on archived muzak in aisle 89:
In the late 1980’s and early 1990’s, I worked for Kmart behind the service desk and the store played specific pre-recorded cassettes issued by corporate. This was background music, or perhaps you could call it elevator music. Anyways, I saved these tapes from the trash during this period and this video shows you my extensive, odd collection. Until around 1992, the cassettes were rotated monthly. Then, they were replaced weekly. Finally sometime around 1993, satellite programming was intoduced which eliminated the need for these tapes altogether.
The older tapes contain canned elevator music with instrumental renditions of songs. Then, the songs became completely mainstream around 1991. All of them have advertisements every few songs.
The monthly tapes are very, very, worn and rippled. That’s becuase they ran for 14 hours a day, 7 days a week on auto-reverse. If you do the math assuming that each tape is 30 minutes per side, that’s over 800 passes over a tape head each month.